![]() David from Sydney David from young’s town I guess you didn’t see it live, as in he gave up his (stage) time and the time given up was actually part of the Ethiopian appeal, it was footage on the ground from Africa played to the cars song a huge moment in the show and money intake.Lyrics licensed and provided by LyricFind ![]() Publisher: BMG Rights Management, Warner Chappell Music, Inc. We've got five years, my brain hurts a lot I kiss you, you're beautiful, I want you to walk Your face, your race, the way that you talk I had to cram so many things to store everything in thereįixed his stare to the wheels of a CadillacĪ cop knelt and kissed the feet of a priestĪnd a queer threw up at the sight of thatĭon't think you knew you were in this songĪnd it was cold and it rained, so I felt like an actorĪnd I thought of Ma and I wanted to get back there My brain hurt like a warehouse, it had no room to spare I saw boys, toys, electric irons and TV's I heard telephones, opera house, favorite melodies ![]() As I crossed 69th Street, an idea wandered gingerly into my mind, and luckily, I knew enough to grab on to it.We had five years left to cry in (cry in) Thomas Cott had invited me to his office to talk about a commission for my next play, and he was expecting me to tell him about it. I was walking to Lincoln Center Theater from my apartment on West 94th Street and I had no idea what I was going to say at the meeting. Scene 14 Goodbye Until Tomorrow/ I Could Never Rescue You PREFACE The last five years: the complete book and lyrics of the musical / book, music and lyrics by Jason Robert Brown. Library of Congress Cataloging-in-Publication Data All other inquiries should be addressed to the author’s legal representative: Jason Robert Brown, c/o Mark Sendroff, Sendroff & Baruch, LLP, 1500 Broadway, Suite 2001, New York, NY 10036. All inquiries regarding stock and amateur rights should be addressed to Music Theatre International, 421 West 54th St., New York, NY 10019. Particular emphasis is placed on the matter of readings and all uses of this play by educational institutions, permission for which must be secured from the author’s representatives. All rights, including, but not limited to, professional, amateur, recording, motion picture, recitation, lecturing, public reading, radio and television broadcasting, and the rights of translation into foreign languages are expressly reserved. Professionals and amateurs are hereby warned that this material, being fully protected under the copyright laws of the United States of America and all other countries of the Berne and Universal Copyright Conventions, is subject to a royalty. ![]() Published in 2011 by Applause Theatre & Cinema Books No part of this book may be reproduced in any form, without written permission, except by a newspaper or magazine reviewer who wishes to quote brief passages in connection with a review. Music and lyrics copyright © 2002 by Semolina Farfalle MusicĪll rights reserved. Libretto copyright © 2011 by Jason Robert Brown
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